Who is siouxsie sioux

She is dressed in nothing more than an asymmetrical ensemble of fetishistic latex underwear, finished off with a cupless bra that leaves her breasts bare. Her expression is aloof, inscrutable. That same night, Siouxsie and her friend Steve Severin approached Malcolm McLaren, then manager of the Sex Pistols, with the idea of forming their own group. It's now almost 30 years since the band's first performance, where Siouxsie intoned The Lord's Prayer over a wall of feedback at London's Club - a set described at the time by one journalist as "unbearable".

She now spends most of her time in south-eastern France, where she lives with former Banshees drummer Budgie the pair have their own band, the Creatures , but we meet at a London hotel.

Siouxsie is wearing an elegant white trouser suit, and her black hair - more of an Elvis-style raven blue, in fact - is slicked back to reveal features that seem virtually unchanged since she appeared as a post-punk geisha on the cover of The Face magazine in Like her peers among the founding figures of British punk - Vivienne Westwood, Johnny Rotten, Howard Devoto and Mark E Smith - Siouxsie regards the labelling of "punk" as being the death of its vital energy.

And it's funny how that fear turned to hatred once the phenomenon had been identified - or once it was considered to have been identified and contained. I got odd looks, but if they saw you looking they'd turn away. I think that people sense that kind of single-mindedness and don't dare approach you. But all that really did change once punk was picked up on in the media.

Then the public reaction was abusive. It wasn't until - well after the initial shock waves of punk - that the Banshees released their first record. Something about their attitude, their refusal to conform to the increasingly commodified idea of punk, had kept the major record companies at a distance, but when their first album, The Scream, finally came out, its originality, edge and sheer energy provoked instant, near fanatical acclaim.

It was one of those records that immediately summoned up a world view - dark, tense, eerily erotic. But the term 'punk' was so lazy and easy and inaccurate. The Pistols were different because they had Rotten - without him, who knows?

And the Clash went at it in a way that was far more traditional - a kind of Keith Richards thing. I wasn't trying to be masculine and getting down with the boys, so the main difference between us and the rest was that it wasn't a solely male perspective. I think a certain amount of anger has been a fuel of mine, if you want - but also some sort of sadness, and plain mischief, of course. Siouxsie, originally Susie Ballion, grew up in suburban Chislehurst with her parents, brother and sister.

Her mother worked as a bilingual secretary; her father was a lab technician. I was very aware of us being very different. My father had a drink problem, which also sensitised that feeling. It wasn't red brick, to begin with - it was white stucco with a flat roof, and with trees. This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish.

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